A guide to joining twitter now it’s an unremittingly bleak document of how awful everything is

Tweet

As a librarian using Twitter, my experiences follow the classic three act structure of a movie. (Not a feel-good film. One of those more grown up films where you leave the cinema feeling depressed.)

Act 1: Hope and expectation

You take your first few steps into the online world. It turns out to be AMAZING! There are so many like-minded people there, and they’re so helpful! Ideas are shared, collaborations begin. Real life progress is catalysed by Twitter conversations. Cheers!

Act 2: Growing up

Twitter makes more and more things possible. But the community is fracturing. Was this inevitable? Progress still happens, among so much infighting. Nothing is allowed to be unequivocally good anymore – anything previously thought of as positive now comes with a handily placed fellow twitter user who is cleverer than you and so can tell you how actually it’s all terrible after all. It’s better to know, right? Although naivety felt great compared to this. Things got real.

Act 3: An unending garbage fire where joy goes to die

The world is divided into two types of people – those who know how horrible humans really are, and those who steer clear of social media. Twitter is a mirror to society and what it shows is ugly as hell. Twitter shows humans for what they really are in the way that previously Science Fiction stories did. We are past the point of allegory; who needs it?  Brexit, Trump, Katie Hopkins, fear, anger, sorrow. Libraries are in trouble? The WORLD is in trouble. We’re all doomed. “Name something that shows your age, which the younger generation wouldn’t understand what you’re talking about” goes the meme. Everyone tweeting about winding back unspooled cassette tapes with a pencil. And you’re thinking: hope? Decency? The Labour Party? Check Twitter. Go to sleep feeling sick. Wake up feeling sick. Check Twitter again. Rising panic. Repeat to fade.

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So how do you answer this question?

what advice would you give someone who's just joining twitter (for professional-ish use) now?

— Aǀǀɑnɑ Μɑγer (@allanaaaaaaa) January 9, 2017

I’ve written guides on ‘if you’re new to Twitter, here’s what you do’ before – they’ve been among the most read posts on this site. But all that seems very quaint and a little moot now. Like reading a guide to the eatery options on board the Titanic after it’s hit the iceberg.

Here’s my attempt at giving this a proper go.

What advice would you give someone who’s just joining Twitter now?

1.      Lay down some ground-rules and stick to them. Twitter works when you are in control of it rather than it being in control of you. It needs to be something you DECIDE to engage with, rather than getting into a cycle of dependence, checking it listlessly until all hours even though you don’t even want to, getting ever more scared or depressed. So, don’t check it after 9pm or before 8am for starters. No one needs to start their day with that shit. Think about whether you really need it on your phone at all – and if you do, consider deleting it (the app, not your account) during holidays and over Christmas.

2.      CURATE. Find the good people. Use the search box to look for people tweeting about stuff you care about. Follow the ones talking sense. Find the community you want to be part of and join in. You need to curate Twitter, proactively following and unfollowing to make it work for you. That said…

3.      Get out of the echo chamber. If you follow 1000 people who all think the same you’ll be in an echo chamber and that’s no good to anyone. Everyone will reinforce your view of the world and then Brexit will happen and you’ll be all, WTF? But if you follow a bunch of people who really wind you up, you’ll be wound-up all the time. So a middle ground must be found. To quote, well, me, in a thing I wrote for the University of York’s MOOC: “Make sure your online social circle doesn’t consist entirely of People Like You - follow and interact with people from different professions, socio-economic demographics, locations, nationalities and ethnicities. This at least builds a more rounded picture of the way the world thinks.” I’ve have learned SO MUCH from people on Twitter. Not just about my profession, but about society, about behaviour. That’s why I still love it even though it’s a shit-show now, by and large. Look to be challenged as well as supported, but if someone is hateful or obnoxious, mute, block, lock your account - do what you need to feel comfortable.

4.      Trust that the right people will find you, rather than changing to please the wrong people. Better to give of yourself, be yourself, present an unvarnished version of yourself, and take your time to find a network who is happy with you as you, than to try and adapt to be like everyone else. I know this sounds like a self-help book. But honestly, Twitter is huge. Your people WILL be there. Wait for them rather than watering yourself down. Everything is fragmented now. Find your fragment.

Twitter, yesterday

5.      Don’t slow down to look at the car crash. Of course it’s compelling. Of course you want to know what’s going on. But you don’t NEED to see it. You don’t need images that are going to haunt you and still be there when you close your eyes to go to sleep tonight. If certain world leaders are tweeting horrifying things, block them then you won’t see them ReTweeted. Do it. Add a load of words to your mute list – use the advanced mute options. You need to take care of yourself to get the most out of Twitter. Self-care is vital.

6.      For celebs and politicians Twitter is a broadcast medium. For the rest of us it’s still a conversation. Tweet about your work. Tweet about your life if you’re comfortable doing so. But tweet about other people’s work too. RT stuff. Reply. Get involved in chats. Back and forth. Twitter is the social media platform that is most like just chatting to people in a room.

7.      Make Twitter the best place it can possibly be. While the world falls apart around you, make your part of it a place where good things happen. Be positive but realistic. Be supportive. Don’t RT nonsense or propaganda or lies. GO TO THE SOURCE. Don’t be unquestioning. Think about your role in other people’s echo chambers too. Help people out. Be approximately 30% nicer online than you are in real life to allow for the potential misinterpretations of un-nuanced written text. Don’t make people’s days worse. Make things a little bit more Act 1 (above) and a little bit less Act 3.

8.      Don’t be afraid to quit. No one ever regrets shutting down a social media account. If it’s not having a positive impact on your life, get rid.

The tl;dr version of this post

It's a little late for that unless you've scrolled right to the end, but basically find the right people and Twitter can still be great. I still love it. It's still useful. It's still enriching. And that's because of the people I follow and interact with.

Tweet

Using PowerPoint as a design tool

If you're a graphic designer you probably use a professional tool like Adobe InDesign or Photoshop to make leaflets, posters, infographics and other digital images. If, like me, you're not, and those tools are beyond both your budget and capacity to learn complicated programmes you're not going to use that often, you need an alternative.

I've written on here before about Canva, which is excellent for more than just presentations, and I like Phoster in the iOS app store for designing digital posters. But an under-rated tool for Design is PowerPoint. The main reasons are it's a lot more flexible than it's often given credit for, and it's incredibly easy to layer content (to put text over images, etc) - something which is maddeningly difficult to do in Word, for example.

So here are the key aspects to using PowerPoint for design.

1) You can make a slide ANY size, and save it as a JPG or PNG file

Go to Design, Slide Size then Custom Slide Size to get to this menu

PowerPoint defaults to a 4:3 or 16:9 slide - but you can edit the slide to be any shape, size and proportions. Open a new presentation and go to Design then Slide Size and choose Custom Slide Size you can bring up this drop-down menu, or just put in the custom dimensions of your choice.

Everything becomes easier with design when your canvas is the perfect dimensions to start off with. Sizes like A3 and A4 are self-explanatory if you're designing flyers or posters, but also think about digital image sizes. For example:

• A Twitter image (which is to say a perfectly sized image which doesn't require users to click to expand when viewing it's tweeted) is W: 116 mm x H 232mm
• An Instagram image can be any square, but optimally is 134mm x 134mm
• A Facebook image is 317mm x 317mm
• A YouTube custom video thumbnail is H: 190mm x W: 338mm

(You can work out any pixels to mm dimensions using an online converter: I used this one for the above.)

Once you've created blank slides in a variety of useful sizes, save them to use as a template more quickly in the future.

2) You can install fantastic typography

As anyone who has attended my presentation skills training will attest, I'm always banging on about how Typography is a hugely underrated part of design. Fonts matter a lot, and can make the difference between something looking and the same thing looking really professional.

As always, I'd highly reccomend fontsquirrel as a souce of fantastic (and free to use) fonts - and see the previous post for more info on font-pairings.

Click to go to the font-pairing post

3) It's easy to manipulate images in useful ways

You can find the ideal image from a CC0 site like Pexels, and make it easier to use - to layer text on top of, for example - using PPTs editing tools. They're nowhere near as sophisticated as those in Photoshop, but it's still really useful. Particularly darkening images using the Brightness slider so that white text clearly shows up on it, or blurring images. Both of these techniques are explained in more detail here.

You can also Crop images to specific shapes, circles for example, which can help with really striking design.

4) You can follow the basic principles of good design, and that's more important than the tool

I've found that I really like design without truly understanding it like a proper designer would, but certain rules apply across the board and help me with whatever I'm doing:

1. Images AS the background most often works better than images against a background (unless you're using icons).
2. Space is good. Leave space.
3. No more than three fonts per design. And use fonts that help you communicate your message - or, to use a phrase I'm not altogether comfortable with for some reason, but it seems to apply here: use fonts intentionally.
4. The most important thing about text is legibility. Make sure text is large, and the contrast is high between the text and the background.
5. Left-align text unless there's a specific reason to Centre-align it (or very occasionally right-align or justify).
6. Avoid orphan or widow words. Just stretch your text box a little more, or narrow it, so words aren't left on a line of their own. Canva's helpful design rules also have this to say on line length:

5) Save slides as images

You can save your PowerPoint as a PPTX to come back to the design later, but you can also save a slide as an image, or a whole bunch of slides as seperate images.

When you go to Save As, choose JPEG or PNG from the drop-down menu - it will then give you the choice of saving just the slide you're on at the moment as an image, or to create a folder into which it will save all the slides in the presentation as individual images.

Saving slides as JPEGs

And finally, while we're on the Save As function, here's a brief guide to which format to save regular presentations in depending on your situation...

NLPN's Useful Resources

Just a very brief post to say check out the fabulous NLPN's Useful Resources page. They've brought together a list of professional library bodies, groups and networks, blogs, job sites, journals and databases and even institutional repositories. 

It's aimed primarily at New Profs but it's useful for everyone in interested in the wider profession. If I'd had this kind of curated list of useful stuff when I came into the profession I would have found it so much easier to understand the wider context and become part of a bigger conversation. You really could get through years of librarianship before you needed more than what NLPN've put together on this list. Get to it!

Click the pic to go to NLPN's site

What is UX and how can it help your organisation?

User Experience - UX - is still relatively new to libraries. I've been writing about it a lot on here of late: there's now been 4 posts in the Embedding Ethnography series about what we're doing at York.

I thought it would be useful take a step back and create a slide-deck to introduce UX - ethngraphy and design - in this context. Here it is:

What is UX and how can it help your organisation? from Ned Potter

One of the most popular pages on this site is the Structured Introduction to UX and Ethnography and I wanted something to go on there, and also for a new blog from the University of York.

Introducing Lib-Innovation

The Lib-Innovation blog is an attempt to capture some of the more creative stuff we do at York, and especially as a channel to disseminate ideas and results around our UX activities.  I'm reposting my own articles from Lib-Innovation on here, but not those written by my colleagues: if you're interested in the results of the UX studies I've written about on here so far, the Head of Relationship Management at York, Michelle Blake, has written about the projects on Lib-Innovation. What we learned what absolutely fascinating and we've already started to make the changes to help both students and staff.

More on UX

Here is a (continually updated) list of the latest posts on this blog that feature User Experience in some way.

A second UX Intern writes... Oliver Ramirez on User Experience

This post originally appeared on the Lib-Innovation blog.

This is another guest post in the Embedding Ethnography series - click to see all four so far - this time written by Oliver Ramirez. He completed some hugely detailed work for us at the start of 2016, and these are his reflections on the whole process.

Oliver is now based in London and enjoyed UX work so much he wants to pursue it further, perhaps with another internship - if you're reading this and you are potentially interested in having him come and work with you, send me an email and I'll put you in touch!

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My UX research internship: More than ticking boxes

I was interested in seeing how my user experience knowledge from my Computer Science degree could apply to physical services. So, when I was offered the chance to conduct a UX research project for the library team at the University of York, I took my chance to see how library UX works.

The motivations behind the project were straightforward; among postgraduate research students (PGRs), there was a large disparity in satisfaction scores when it came to certain areas of research life. In conducting the project, I was to identify the reasons for this.

For this, the UX research approach made sense. I was to report on how PGRs conducted research, in particular their habits and reasons behind study space choices and resource choices, their interactions with others during research, and their use of study services. Through this, I would identify the pain points for less happy demographics, try to understand what worked for happier demographics, and suggest ways to try and bridge the gaps between those experiences.

As part of this research, I ran 1 on 1 sessions with PGRs across different departments. The team also gave me a couple of UX techniques to test out, so as well as a “non-directed interview”, I ran Cognitive Mapping and Love & Break Up Letter exercises with each participant.

Cognitive Mapping

The first exercise that I ran with participants was cognitive mapping. Participants were asked to draw a “map” of the things that they interacted with while conducting research (limited to the areas I outlined earlier), mostly adopting the methodology outlined by Donna Lanclos. I say “map” because, in reality, few participants drew anything resembling a conventional map – participants mostly favoured writing down concepts (for example, ‘their office’) and linking those to other related concepts (‘their office’ may be near their ‘supervisor’).

A Cognitive Map from the PGRUX Project

It was a great way of getting the participants to think about the areas I would end up interviewing them on, and the temporal and relational information captured in the map made it easier to pick up on each participant’s thoughts. One good example of this is how a participant placed importance on their desk: they drew it as their map’s central element early on, and branched everything off of that central element. This was reflected in their interview, where they emphasised the importance of that desk to them.

“Non-directed interviews”

Using the participant’s cognitive map as a ‘guide’, I would then conduct a non-directed interview. This involved taking an almost passive, neutral stance in everything I asked about, primarily allowing the concepts brought up on the participant’s map to direct the conversation – then, after those points had been exhausted, I would consult my own discussion guide to cover the rest of the areas of interest.

Conducting the interview in this way was initially difficult for me – it was sometimes hard to probe without being ‘aggressive’ (asking weighted questions or changing the topic), and I sometimes struggled to facilitate the conversation without suggesting topics to talk about.

There was immense value from conducting the session in this way, however. By focusing the interview on the topics participants brought up, gathered information more closely reflected the participant’s “perspective” – their habits, their opinions and their choices, mostly on what they were aware of in the discussed areas. Gathering the information in this way allowed for me to more effectively deliver insight on issues of awareness.

Love/Break Up Letters

Finally, participants were asked to write a ‘love’ or ‘break up’ letter. By asking participants to address this letter to a personified IT or library service, we hoped to draw out the emotions of participants towards those services, and easily establish positive/pain points.

My participants seemed to be very polarised by the exercise; people either really got into it, or they really didn’t. Upon reflection, the abstract nature of the exercise may have made some participants uncomfortable, especially knowing that their letters would be scrutinised. However, while I feel that while this technique didn’t work in a 1 on 1 session, there is merit to trying it out in a pop-up-desk context, or a ‘prize raffle’ format – this would allow for many responses, and for the easy identification of pain points across services.

All in all, I felt that the techniques allowed me to attain some real insight into PGRs, and despite the initial nerves, I really enjoyed conducting these sessions with participants. But while I’m singing the praises of these techniques now, back before I started my internship, my mentality for designing around users (or stakeholders in general) was one of appeasement – design a website that does what stakeholders need it to do, and fix any issues preventing its smooth use. A real ‘checklist’ oriented approach. Historically, I had followed this approach in my degree through a type of observation called ‘usability testing’, where I noted any issues users had when doing tasks that I had set.

So, heading into this internship, I had expected to do just that: more observation, make a list of issues to fix, and suggest some solutions - tick those boxes off, one by one, on the way to a “good UX”. But, throughout my internship, I realised this approach just yields a ‘passable’ user experience – you end up with something that works, but not necessarily something that’s good.

Example of Findings: Lonely Researchers

For example, one of my participants told me something that really struck me: they said that when they were based at a general desk, that they felt disconnected from their department. It was always possible to contact or visit their supervisors, or use the department testing rooms, or go out of their way to interact with their peers, but not being based alongside all of that meant that they felt ‘distant’ with their department. This changed when they were offered a desk inside their department. Besides improvements on all of those fronts, they reported feeling ‘valued’ as a member of the university because of it.

The importance of ‘department community’ - being alongside your researcher peers and supervisor so that interaction is readily possible – was prominent in my discussion with some participants. During my research, I found that while non-department PGR study spaces covered various noise levels (something participants valued), those spaces did not facilitate this kind of ‘natural interaction’ that only happens when PGRs and supervisors are all based together – and so PGRs based outside their department missed out on this.

My approach of “observation to find issues, fix issues” would not have yielded this type of insight – I would have thought along the lines of “they don’t really like the silence in this building”, suggested to change the noise level policy and called it a day. It wouldn’t have made much headway in creating a better UX for the people based outside their departments.

But, it finally dawned on me during my time with the library team at York: good UX necessitates understanding what your user values, what is important to them, and actively working with that in mind. Which worked out for me, in the end: UX is a more satisfying when it isn’t just making something that works and ticking boxes.

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Header pic of the University by Paul Shields, used by permission.